Music go from noise and the noise go to the damages derived from the acoustic contamination: intrusion of privacy and the evidence of the intensity, seriousness of the facts and habitualty

Abstract

The  law  about acoustic inmission, on  those  activities that  exceed the  limits beyond  tolerable  limits, it constitutes a solid  juridical fundament  in  it guides  of the  rights  that  can  be involved in  this  inmision. With the  precedente law, will verifying  the origin  of the indemnity law of tort.  The valuation of the causation of the noises  and  of the  damages claims, their  right  to file a civil  suit  for damages and  personal injury. In particular, if what was  in  beginning a musical interpreta- tion  with instruments  piano, harp  or  saxophone and  electric  guitar,  the  melody turn  «noise», when converging intensity,  graveness  and  usual and constituent of interference in the right to the intimacy, there is place to the victim's indemnity, the imposition of soundproof or fine  in  this  activity. Of there  the  right  to be left alone, the  «right  to the  silence».